The_Color_of_Love_-_Radclyffe (Рэдклифф) - страница 7

“On it,” Terry said.

“Already talking to them about it,” Ron echoed.

“Good. Any author issues we need to know about?” Acquiring books and promoting them was only part of their job. Once the manuscripts were contracted and handed off to the publishers, a great deal of hand-holding was required to get their authors, especially the new ones, through the long, arduous process of editing, cover design, and advance promotion before the books went to press.

“All my chickens are happy,” Terry said.

“Race Evans doesn’t like his cover,” Ron said. “I can’t say I really blame him, but it’s right for the market and we got Sellers and Saylor’s art department to come as close as we could to what he was hoping for.”

“Hopefully he’ll be happier when he sees the sales.” Emily cast one more look around. Everyone seemed satisfied and on point. “All right, then. I’ll see you all Wednesday for production.”

She stayed seated while the others left, adding a few more notes. She had fifteen minutes before a phone call to a client about acquiring their manuscript, her favorite kind of call. The author was usually excited, and she was happy to be adding another new title to their list.

When her cell rang, she checked the number and answered immediately. “Hi, Vonnie.”

“Hi, Emily,” Vonnie Hall, the president’s personal secretary, replied. “Can you come on by? She wants to talk to you for a few minutes.”

Emily frowned and checked her watch. “Is it urgent? I have a phone conference in five.”

“I’ll let her know you’ll be half an hour.”

“Thanks.”

Thirty minutes and one about-to-be-signed contract later, Emily tucked her phone and tablet into her shoulder bag and climbed the winding wooden staircase to the fourth floor and made her way down the plush carpeted hall to the office at the far end. The top floor housed the senior agents’ offices and looked as Emily imagined it had a century before with its vaulted tin ceilings, ornate hanging light fixtures, and recessed alcoves framed in dark, carved wood. Above the gleaming walnut wainscoting, framed portraits of generations of Winfields adorned the pale green, floral-patterned wallpaper. In the muted light, the eyes of the men and one woman followed her. With each step, she felt as if she moved back in time, although there was nothing outdated or antiquated about the woman she was about to see. Like Emily, Henrietta Winfield simply appreciated history.

Vonnie Hall, a trim, flawlessly presented woman in a red suit with thin ribbons of black along the collar and cuffs, guarded the door to Henrietta Winfield’s inner sanctum with the ferocity of a she-wolf and the smile of an angel. She greeted Emily with genuine pleasure. “She’ll just be a minute. She’s finishing a phone call.”