The Rascally Romance (in a single helluva-long letter about a flicking-short life) (Огольцов) - страница 45

Two narrow concrete walks aligned at right angles to the ellipse’s longitudinal axis cut it into three even chunks, the resultant rectangular in between the walks and the road ditches was further divided into three equal segments by one more couple of concrete walks parallel to the above-mentioned axis to connect the walks also mentioned already.

The intersection points formed four corners of the central segment, from which the rays of 4 additional concrete walks traversed the Courtyard diagonally, each one projected in the direction of the central entrances to the respective corner buildings, the line between adjacent ray-starting points served the chord of a concrete arc-walk described about a round lumber gazebo, 2 of them all in all, so that, on the whole, it presented the model of perfection reminiscent of the Versailles’ design, only of concrete.

(…it is impossible to come across such a purified Bau Stile in nature. No circular circles exist among natural ones, neither absolutely isosceles triangles, nor flawless squares – someplace, somehow, the accomplished evenness would be inevitably ruined by the stubborn awl spiking thru the Mother Nature’s haversack…)

Of course, there were no fancy waterworks in our Courtyard, neither trees nor bushes. Maybe, later they planted something there yet, in my memory, I can find not even a seedling but only grass cut into geometric figures by the walks of concrete and loose pigeon flocks flying from one end of the vast Courtyard to the other when there sounded “…gooil-gooil-gooil-gooil-gooil-gooil-gooil!.” call.

I liked those looking so alike, yet somehow different, birds flocking around you to bang the scattered bread crumbles away from the road on which you’d never see a vehicle except for a slow-go truck carrying, once in a blue moon, the furniture of tenants moving in or out, or a load of firewood for Titan boilers installed in the apartments’ bathrooms.

But even more, I liked feeding pigeons on the tin ledge out the kitchen window. Although it took a long wait before some of the birds would get it where your “gooil-gooil” invitation was coming from and hover with the swish of air-cutting wings in the relentless flapping above the ledge covered by the thick spill of breadcrumbs before landing on it with their raw legs to start the quick tap-tapping at the offer on the hollow-sounding tin.

The pigeons seemed to have an eye on each other or, probably, they had some kind of intercom system because the first bird was very soon followed by others flying in, in twos and threes, and whole flocks, maybe even from the other block. The window ledge submerged into the multi-layer whirlpool of feathered backs and heads ducking to pick the crumbs, pushing each other, fluttering off the edge and squeezing in back again. Then, taking advantage of that pandemonium, you could cautiously put your hand out thru the square leaf up in the kitchen window and touch from above one of their moving backs, but tenderly, so that they wouldn’t dash off with the loud flaps of the wings and flush away all at once…