The Rascally Romance (in a single helluva-long letter about a flicking-short life) (Огольцов) - страница 46

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Besides the pigeons, I also liked holidays, especially the New Year. The Christmas tree was set up in the parents’ room in front of the white tulle curtain screening the cold balcony door. The plywood boxes from postal parcels received long ago and presently full of fragile sparkling adoration came from the narrow storeroom: all kinds of fruits, dwarfs, bells, grandfathers frosts, baskets, drill-bit-like purple icicles, balls with inlaid snowflakes on their opposite sides and just balls but also beautiful, stars framed within thin glass tubes, fluffy rain-garlands of golden foil. In addition, we made paper garland-chains as taught by Mom. With different watercolors we painted the paper, it dried overnight and was cut into finger-wide colored strips which we glued with wheatpaste into lots of multicolored links in the growing catenas of our homemade garlands.

Lastly, after decorating the tree with toys and sweetmeat—because a candy with a thread thru its bright wrapper is both nice and eatable decoration which you can cut off and enjoy at Xmas tide—a snowdrift of white cotton wool was put under the tree over the plywood footing of one-foot-tall Grandfather Frost in his red broadcloth coat, one of his mitten-clad hands in firm clasp at his tall staff and the other clutching the mouth of the sack over his shoulder tied with a red ribbon which hid the seam too sturdy to allow actual investigation of the bumps bulging from inside through the sackcloth.

Oh! How could I forget the multicolored twinkling of tiny bulbs from their long thin wires?!. They came into the Christmas tree before anything else, and those wires were connected to the heavy electric transformer also hidden under the wool snowdrifts, Dad made it himself. And the mask of Bear for the matinée in kindergarten was also his production. Mom explained him how to do it and Dad brought some special clay from his work and then on a sheet of plywood he modeled the bear’s face with its stuck-up nose. When the clay got stone-hard, Dad and Mom covered it with layers of gauze and water-soaked shreds of newspaper. It took two days for the muzzle to dry and harden, then the clay was thrown away and—wow!—there was a mask made of papier-mâché. The mask was colored with brown watercolor, and Mom sewed the Bear costume of brown satin, it was a one-piece affair so you could get into the trousers only thru the jacket. That’s why at the matinée I did not envy the woodcutters with the cardboard axes over their shoulders.