And so on, down to the chaste Transcaucasia manner, when a seed for crushing is fed into the (yes, inescapably) mouth from a fixed position between the thumb tip and the joint of the index finger, so as to screen the intake of the seed, and then the processed husk is not spat out randomly but carefully returned into the burka-like contrivance of finger-screen to be scattered somewhere, or collected into something.
On the whole, the last of the presented methods leaves an impression of the eater biting their own thumb on the sly. But at who?
" Did you bite your thumb at me, Sir?!."
Oh, yes, sunflower seeds are miles aloft of dull popcorn. However, that’s more than enough about them.
Back to the green, cut-up, carpet runner…)
It was on those runner pieces where my brother felled my authority of the eldest by 1 dire blow… That day coming home after a PE lesson, I thoughtlessly stated that performing one hundred squats at one go was beyond human power. Sasha silently sniffled for a while and then said that he could do it.
Natasha and I were keeping the count, and after the fifteenth squat, I yelled that it was all wrong and unfair because he didn’t fully rise, but Sasha went on with squats as if I never said a word, and Natasha continued to keep the count. I shut up and soon after joined my sister in counting, though after “eighty-one!” he could no longer rise even above his bent knees. I felt pity for my brother over-strained by those incomplete squats. He staggered, tears welled up in his eyes, but the count was brought to a hundred and he barely hobbled to the big sofa. My authority collapsed like the colonialism in Africa; good news that before the fall I hadn’t promised any gingerbread…
~ ~ ~
Where did the filmstrip projector come from? Most likely, our parents bought it from a store. And in their room there appeared Radiola—combination of the radio and record player. 2 in 1, as they call it now.
The lid on top and both sidewalls of Radiola shed gentle gleam of brown varnish. The rear side had no gloss because it was hard cardboard with multiple rows of tiny portholes facing the wall. However, pulling Radiola a little forward, you could peep thru them and catch a patchy view of the murky interior landscape: the white of aluminum panel-houses, the dim glow in the pearly black turrets of vacuum-lamps of different height and thickness, and from one of those holes, a brown cable ran out ending by the plug for a mains socket.
Over the Radiola’s face was pulled a special sound-friendly cloth thru which you easily could trace the big oval speaker beneath the round sleeping eye whose glass flashed up with green when you clicked on the Two-in-One on. The long low plate of glass inserted along the front side bottom bridged the control knobs: the power and volume adjustment (2 in 1) above the range selection switch on the right, and only one knob on the left—for fine-tuning to the wavelength. The glass plate was glossy black except for four horizontal transparent stripes, from end to end, marked with irregular hair-width vertical snicks and the names of capital cities, like, Moscow, Bucharest, Warsaw. While twirling the knob of fine adjustment, you could follow, thru those transparent stripes in the glass, the progress of the thin red slider crawling from city to city along the inner side of the plate.